Fool of the Fandoms

empathatic-symphony:

Will Graham, FBI.

really gotta work on not showing emotion

docgelegentlich:

snowybean1234:

turntechgoddamnit:

toastradamus:

pizzaforpresident:

WHY ARE THERE STRAPS ON HIS LEGS I AM LAUGHING SO HARD

POWER TO MAIN THRUSTERS
ALL SYSTEMS ARE GO

TURBO SHIT

BUT HE’S STILL WEARING HIS PANTS

pants aren’t an issue when you’re QUANTUM SHITTING THROUGH THE nTH DIMENSION

docgelegentlich:

snowybean1234:

turntechgoddamnit:

toastradamus:

pizzaforpresident:

WHY ARE THERE STRAPS ON HIS LEGS I AM LAUGHING SO HARD

POWER TO MAIN THRUSTERS

ALL SYSTEMS ARE GO

TURBO SHIT

BUT HE’S STILL WEARING HIS PANTS

pants aren’t an issue when you’re QUANTUM SHITTING THROUGH THE nTH DIMENSION

queerpotters:

does anyone else feel like they just lost their favourite uncle

jaclcfrost:

how i deal with my feelings

  • never talk about them
  • barely acknowledge them
  • hope they go away
  • i don’t, basically
  • that’s what i’m saying
  • i do not deal with my feelings

darksilenceinsuburbia:

Eliza Bennett

A Woman’s Work is Never Done

A series of photographic works titled ‘A Woman’s Work is Never Done’ Using my own hand as a base material, I considered it a canvas upon which I stitched into the top layer of skin using thread to create the appearance of an incredibly work worn hand.  By using the technique of embroidery, which is traditionally employed to represent femininity and applying it to the expression of its opposite, I hope to challenge the pre-conceived notion that ‘women’s work’ is light and easy.  Aiming to represent the effects of hard work arising from employment in low paid ‘ancillary’ jobs, such as cleaning, caring and catering, all traditionally considered to be ‘women’s work’. 

The technique, I recall first applying to my hand under a table during a home economics class in school. I was totally amazed to find that I could pass a needle under the top layers of skin without any pain, only a mild discomfort.  As with many childhood whims it passed and I hadn’t thought any more about it until quite recently when I decided to apply the process to my hand to make it appear calloused and work worn like that of a manual labourer. Some viewers consider the piece to be a feminist protest, for me it’s about human value. After all, there are many men employed in caring, catering, cleaning etc… all jobs traditionally considered to be ‘women’s work’. Such work is invisible in the larger society, with ‘A woman’s work’ I aim to represent it.  (artist statement)

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